Superstar Pawan Kalyan returned to the big screen with the highly anticipated gangster drama They Call Him OG, directed by Sujeeth. The film, produced under DVV Entertainment, has generated massive buzz due to its star-studded cast, high-octane action, and gripping storyline.
They Call Him OG, starring Pawan Kalyan and Emraan Hashmi, hit theatres worldwide on 25th September 2025 in five languages—Telugu, Hindi, Tamil, Kannada, and Malayalam. However, the film faced certain content delivery issues in select regions, leading to delays in a few screenings.
Day | India Net Collection (₹ Cr) |
---|---|
Day 1 [Thursday] | ₹58 Cr |
Day 2 [Friday] | ₹32 Cr |
Day 3 [1st Saturday] | ₹18 Cr |
Day 4 [1st Sunday] | ₹21 Cr |
Day 5 [1st Monday] | ₹14 Cr |
Day 6 [1st Tuesday] | ₹8.2 Cr |
Total (6 Days): ₹151.2 Cr Net
They Call Him OG has reached ₹151.2 crore net in just six days. Coupled with impressive overseas numbers, the film is heading for a blockbuster run. The combination of Pawan Kalyan’s stardom, Sujeeth’s direction, and Thaman S’s music has delivered a perfect mass entertainer, keeping audiences engaged across all languages.
They Call Him OG features a powerful ensemble:
Pawan Kalyan as Ojas Gambheera ‘OG’
Emraan Hashmi as Omi Bhau (Telugu debut)
Priyanka Mohan as Kanmani, Ojas’s wife
Arjun Das as Arjun
Prakash Raj as Satyanarayana ‘Satya Dada’
Sriya Reddy as Geetha
Tej Sapru as Mirajkar
Harish Uthaman as Dheenanath
Rahul Ravindran as Bhadra
Neha Shetty (special appearance)
Cinematography by Ravi K. Chandran and Manoj Paramahamsa, music by Thaman S, and editing by Naveen Nooli enhance the film’s cinematic appeal.
They Call Him OG, starring Pawan Kalyan and directed by Sujeeth, is more than just a gangster drama—it’s a celebration of mass cinema that blurs the line between movie and festival. Right from its chaotic premieres to the thunderous fan response, the film has proven that Pawan Kalyan’s star power is unmatched.
Sujeeth crafts a stylish yet raw narrative centered around Ojas Gambheera (Pawan Kalyan), a gangster-warrior who resurfaces in Bombay after a decade. His mission is singular—bringing down Omi Bhau (Emraan Hashmi), a crime boss who rules with fear. While the story doesn’t offer groundbreaking twists, Sujeeth makes up for it with a fast-paced screenplay, stunning visuals, and crowd-pleasing elevations.
Pawan Kalyan: A commanding presence who owns every frame. His ramp walk and action-heavy sequences are designed for fan frenzy.
Emraan Hashmi: Delivers a menacing debut in Telugu cinema, bringing Bollywood flair to a mass villain role.
Priyanka Mohan: Adds charm and emotional balance as Kanmani, though her role is brief.
Supporting Cast: Arjun Das, Prakash Raj, and Sriya Reddy contribute with solid performances, grounding the film’s larger-than-life drama.
Action: Choreographed with flair—interval block and police station fight are instant fan favorites.
Music: Thaman S’s background score breathes fire, amplifying every heroic entry and fight.
Cinematography: Ravi K. Chandran and Manoj Paramahamsa capture OG’s world with rich, cinematic frames.
Audience Reaction
From fans tearing screens in Bengaluru to sold-out shows in Vizag and overseas chaos due to delayed prints, OG has sparked a wave of mania. Social media is flooded with whistles, memes, and celebratory posts. Industry peers like Nani, Varun Tej, and Sandeep Reddy Vanga have publicly praised the film.
They Call Him OG isn’t flawless—the second half slows down with romantic subplots, and a tighter edit could have elevated the narrative further. But as a mass entertainer, it delivers goosebumps, fan service, and cinematic spectacle. For fans, it’s not just a film; it’s an event.
⭐ Rating: 3.75/5
A high-voltage mass entertainer powered by Pawan Kalyan’s screen presence, Sujeeth’s stylish direction, and Thaman’s electrifying score.
They Call Him OG has made a promising start at the box office despite minor pre-release hurdles. With strong domestic and international fan support, the film is on track to be one of the most successful Telugu releases of 2025.
Compare OG with films like Dashavatar — read the full Dashavatar movie review here.
In contrast to The Bads of Bollywood’s experiment in storytelling, OG emphasizes power and mass appeal — see The Bads of Bollywood review here.
If you enjoyed Jolly LLB 3, you might like OG’s energy and intensity — check the Jolly LLB 3 review here.
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