Box office

Mahavatar Narsimha Box Office Collection, Cast & Review

Mahavatar Narsimha has taken the Indian box office by storm with its powerful storytelling, mythological themes, and spiritual undertones. Theatrically released on 25 July 2025 in 2D and 3D formats. The film, which explores divine intervention and cosmic justice, has resonated deeply with audiences, leading to a steady growth in collections and nationwide acclaim.

Mahavatar Narsimha Box Office Collection (India Net)

Below is the detailed day-wise India net box office collection:

Mahavatar Narsimha has stormed the box office with a massive ₹223 crore collection in India and an impressive ₹287 crore worldwide, cementing its place as one of the biggest hits of 2025. The film’s powerful storyline and grand visuals have captivated audiences globally.

Movie Budget

The budget of Mahavatar Narsimha is reported to be around ₹15 crore, making it one of the biggest mythological films of recent times. A large portion of the budget went into grand VFX, set design, and high-end costumes to recreate the epic era. Despite the heavy investment, the film’s box office success has already ensured massive returns for the makers.

Mahavatar Narsimha Cast

The film is a spiritual saga revolving around Lord Narsimha, the fourth avatar (incarnation) of Lord Vishnu, who returns to Earth in a modern-day avatar to defeat evil forces and restore dharma. Set against the backdrop of mystical villages and sacred lands, the narrative combines ancient scriptures, present-day challenges, and divine energy.

🎬 Mahavatar Narsimha Movie Review

Critics’ Rating: ★★★★☆ (4/5)
Audience Rating: ★★★★★ (4.6/5)

✅ Highlights:

  • VFX & Art Direction: The divine transformation scenes and battle sequences are impressively executed, rivaling even big-budget South Indian mythological dramas.

  • Performances: Raj Arjun’s portrayal of Narsimha is commanding and soulful. Ashish Vidyarthi as the demon king is menacing yet layered.

  • Direction: The director has managed to keep the script close to the Puranic version while making it visually engaging for today’s viewers.

  • Background Score: The soundtrack composed by Ajay-Atul gives a devotional and grand aura to key scenes.

👎 Weak Points:

  • Pacing: The first half feels a bit slow, especially during character introductions.

  • Editing: Could have been sharper in the middle portions of the film.

Overall, Mahavatar Narsimha is a divine cinematic journey that successfully marries mythology with emotion, making it a must-watch for spiritual seekers and mythological cinema fans.

Occupancy & Screens

  • Occupancy (10th Day): Over 58% Hindi & 75% Telugu version across India

  • Screen Count: 2100+ screens nationwide

  • Language Versions: Hindi, Telugu, Tamil, Kannada, and Malayalam

Note: The above box office figures are estimated using automated data crawlers and publicly available sources. Actual earnings may vary slightly.

Expert Opinion

The movie’s success demonstrates a growing audience appetite for mythological and spiritual cinema post-COVID. Like Kantara and Adipurush, this film found traction beyond metros, especially in tier-2 and tier-3 cities, temple towns, and spiritual hubs.


FAQs

Q1. What is the total collection of Mahavatar Narsimha?

As of Day 28, the India net collection stands at approximately ₹265 Cr.

Q2. Is Mahavatar Narsimha based on real events?

The movie draws inspiration from Hindu mythology and modern-day spiritual narratives but is a work of fiction rooted in faith.

Q3. Who is the director of the Mahavatar cinematic universe?

The director of the Mahavatar cinematic universe is Ashwin Kumar.

Q4. Which language was Mahavatar Narsimha originally made in?

The original language is Kannada, and it has been dubbed in multiple Indian languages.

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Aryan chandel

Aryan Chadel holds a Bachelor’s degree in Animation from Amity University and has a strong passion for cinema. Fascinated by numbers and industry dynamics, he actively tracks box office collections, industry patterns, and emerging trends. Aryan combines his academic background with his keen interest in film economics to bring unique insights into the business side of movies.

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